Bernhard Henrik Crusell, Eric Hoeprich, Catherine Manson, John Crockatt, Jonathan Manson, London Haydn Quartet's 'Clarinet Quartet No. 1 in E-Flat Major, Op. 2: III. Menuetto. Allegro - Trio' came out on June 2, 2017. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Crusell: 3 Quartets for Clarinet & Strings by Bernhard Henrik Crusell, Eric Hoeprich, John Crockatt, Jonathan Manson, London Haydn Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Clarinet Quartet No. 1 in E-Flat Major, Op. 2: III. Menuetto. Allegro - Trio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clarinet Quartet No. 1 in E-Flat Major, Op. 2: III. Menuetto. Allegro - Trio by Bernhard Henrik Crusell, Eric Hoeprich, Catherine Manson, John Crockatt, Jonathan Manson, London Haydn Quartet is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | ||
Octet in E-Flat, Op. 20: II. Andante | Felix Mendelssohn, James Ehnes, Erin Keefe, Andrew Wan, Augustin Hadelich, Cynthia Phelps, Richard O'Neill, Robert DeMaine, Edward Arron, Vladimir Ashkenazy | F Minor | 0 | 4A | 98 BPM | ||
Serenade on Old Graz Contredanses, Op. 83b: V. Menuet | Jenő Takács, The Georgian Chamber Orchestra Ingolstadt, Evan Alexis Christ | A Major | 2 | 11B | 103 BPM | ||
Clarinet Concerto in A Major, K. 622: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Martin Fröst, Deutsche Kammerphilharmonie Bremen | A Major | 1 | 11B | 140 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM | ||
アイネ・クライネ・ナハトムジーク K.525~第4楽章 | ベルリン室内管弦楽団 | G Major | 2 | 9B | 121 BPM | ||
Symphony No. 4, Op. 90, "Italian": II. Andante con moto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM |
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