- BPM
- 81
- Key
- D♭ Major
- Camelot
- 3B
Prélude à l'après-midi d'un faune, L. 86 - Claude Debussy, Michael Tilson Thomas, London Symphony Orchestra Information
- Acousticness
- 92%
- Danceability
- 11%
- Energy
- 23%
- Instrumentalness
- 89%
- Liveness
- 5%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -16.749 dB
Summary
"Prélude à l'après-midi d'un faune, L. 86" by Claude Debussy, Michael Tilson Thomas, London Symphony Orchestra was released on 1983. Prélude à l'après-midi d'un faune, L. 86 appears to be safe for all ages as it is not explicit. The song is number 7 out of 10 in Debussy: La Mer; La Boîte à joujoux (Children's Ballet); Prélude à l'áprès-midi d'un faune by Claude Debussy, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Prélude à l'après-midi d'un faune, L. 86 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude à l'après-midi d'un faune, L. 86 BPM
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Michael Tilson Thomas, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prélude à l'après-midi d'un faune, L. 86 Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | |
 | Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | |
 | Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Warsaw Concerto | Richard Addinsell, Valentina Lisitsa, BBC Concert Orchestra, Gavin Sutherland | B Major | 2 | 1B | 64 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | |
 | Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | |
 | Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | |
 | Casta Diva from Norma | Vincenzo Bellini, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 177 BPM | |
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM |
- ISRC
- USSM10112679
- Label
- L-M Records/RCA Records
Section: 0.8290467262268066
End: 0.8335070610046387