"Karelia Suite, Op. 11: I. Intermezzo: Moderato" by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen was released on April 5, 2011. With this song being about 5 minutes long, at 4:33, "Karelia Suite, Op. 11: I. Intermezzo: Moderato" by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Sibelius: Symphony No. 2 - Karelia Suite". In this album, this song's track order is #5. Karelia Suite, Op. 11: I. Intermezzo: Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Karelia Suite, Op. 11: I. Intermezzo: Moderato by Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
Sibelius : Karelia Suite Op.11 : III Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | ||
Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 60 BPM |
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