"Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)" by Margaret Marshall, Wiener Philharmoniker, Riccardo Muti, José van Dam, Agnes Baltsa was released on January 9, 2007. The duration of Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) is about 3 minutes long, at 3:23. Based on our data, "Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Riccardo Muti - The Platinum Collection 2". In this album, this song's track order is #3. Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Così fan tutte, Act 1, Scene 2: No. 10 Terzettino: Soave sia il vento (Dorabella/Don Alfonso/Fiordiligi) by Margaret Marshall, Wiener Philharmoniker, Riccardo Muti, José van Dam, Agnes Baltsa having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Sieben frühe Lieder: 4. Traumgekrönt | Alban Berg, Margaret Marshall, Geoffrey Parsons | G Minor | 2 | 6A | 70 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Schliesse mir die Augen beide (1925) | Alban Berg, Margaret Marshall, Geoffrey Parsons | G Minor | 2 | 6A | 70 BPM | ||
Polifemo, Act III Scene V: Alto giove | Nicola Porpora, Academia Montis Regalis, Alessandro De Marchi | E♭ Minor | 2 | 2A | 76 BPM | ||
Requiem No. 1 in C Minor: Sanctus | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 1 | 4B | 77 BPM | ||
The Kingdom, Op. 51, Part IV, The Sign of Healing: Then they that gladly received his word (Mezzo-Soprano, St Peter, St John, The Blessed Virgin, Chorus) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Felicity Palmer, Arthur Davies, David Wilson-Johnson, Margaret Marshall, London Symphony Chorus | F Major | 2 | 7B | 83 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM |
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