Niccolò Paganini, Mauro Bonelli made "Sonatina n. 1 [ms. 85] Allegro - Sonatina n. 2 [ms. 85] Marcia" available on May 3, 2024. Since Sonatina n. 1 [ms. 85] Allegro - Sonatina n. 2 [ms. 85] Marcia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 24 in the song's album "Paganini: Opera omnia per chitarra, vol. 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Italy. Sonatina n. 1 [ms. 85] Allegro - Sonatina n. 2 [ms. 85] Marcia is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonatina n. 1 [ms. 85] Allegro - Sonatina n. 2 [ms. 85] Marcia by Niccolò Paganini, Mauro Bonelli having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
Hungarian Dance No. 5 | Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | G Minor | 2 | 6A | 111 BPM | ||
Sarasate: Spanish Dances, Op. 23: II. Zapateado (Allegro) | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | A Major | 3 | 11B | 114 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Presto (Tempo Impettuoso d'Estate) | Baroque Festival Orchestra, Alberto Lizzio | C Minor | 2 | 5A | 140 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Winter (L'Inverno) Op.8 No.4 F Minor: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 153 BPM |
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