Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra's 'Hungarian Dance No. 5' came out on 1957. The duration of Hungarian Dance No. 5 is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Hungarian Dance No. 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johannes Brahms, Isaac Stern's "Isaac Stern Plays Brahms" album is number 11 out of 41. On top of that, United States appears to be the country where this track was created. In terms of popularity, Hungarian Dance No. 5 is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hungarian Dance No. 5 by Johannes Brahms, Isaac Stern, Milton Katims, Columbia Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti | C Major | 2 | 8B | 73 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 98 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Suite bergamasque, L. 75: Clair de lune | Claude Debussy, Alexis Weissenberg | E♭ Minor | 0 | 2A | 103 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |
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