- BPM
- 63
- Key
- G Major
- Camelot
- 9B
Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live - Wolfgang Amadeus Mozart, Diana Damrau, Anna Prohaska, Rolando Villazón, Paul Schweinester, Franz-Josef Selig, Chamber Orchestra of Europe, Yannick Nézet-Séguin Information
- Acousticness
- 92%
- Danceability
- 53%
- Energy
- 28%
- Instrumentalness
- 23%
- Liveness
- 48%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 87%
- Popularity
- 10%
- Loudness
- -20.162 dB
Summary
On July 6, 2015, the song "Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live" was released by Wolfgang Amadeus Mozart, Diana Damrau, Anna Prohaska, Rolando Villazón, Paul Schweinester, Franz-Josef Selig, Chamber Orchestra of Europe, Yannick Nézet-Séguin. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Diana Damrau, Anna Prohaska, Rolando Villazón, Paul Schweinester, Franz-Josef Selig, Thomas Quasthoff, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Die Entführung aus dem Serail (Live)" album is number 41 out of 42. On top of that, Germany appears to be the country where this track was created. Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live BPM
We consider the tempo marking of Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live by Wolfgang Amadeus Mozart, Diana Damrau, Anna Prohaska, Rolando Villazón, Paul Schweinester, Franz-Josef Selig, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Die Entführung aus dem Serail, K. 384 / Act III: No. 21a, "Nie werd' ich deine Huld verkennen" - Live Key
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Entführung aus dem Serail, K. 384 / Act I: No. 7, "Marsch, marsch, marsch! Trollt euch fort!" - Live | Wolfgang Amadeus Mozart, Rolando Villazón, Paul Schweinester, Franz-Josef Selig, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 5 | 8B | 142 BPM | |
 | Der Rauchfangkehrer: Basta, vincesti...Ah non lasciarmi (Fräule Nannette) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | D♭ Major | 1 | 3B | 87 BPM | |
 | Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | |
 | Le nozze di Figaro, K. 492 / Act 1: "Cinque... deci... venti..." - "Cosa stai misurando" | Wolfgang Amadeus Mozart, Samuel Ramey, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | A Major | 1 | 11B | 132 BPM | |
 | Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Diana Damrau, Anton Barakhovsky, Mariss Jansons, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 79 BPM | |
 | Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Soll ich dich, Teurer, nicht mehr sehn? (Pamina, Sarastro, Tamino) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 176 BPM | |
 | Péchés de vieillesse / Vol. III: Tirana pour deux voix (Les amants de Séville) | Gioachino Rossini, Rolando Villazón, Cecilia Bartoli, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | D Minor | 2 | 7A | 94 BPM | |
 | Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Sophie Koch, Diana Damrau, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 4 | 10B | 103 BPM | |
 | Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | |
 | Mozart: Requiem in D Minor, K. 626: XII. Benedictus | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Waltraud Meier, Berliner Philharmoniker | B♭ Major | 2 | 6B | 92 BPM |
- ISRC
- DEN961430541
- Label
- L-M Records/RCA Records
Section: 0.6785705089569092
End: 0.68306565284729