"Concerto for Orchestra: I. Allegro non troppo" by Oliver Knussen, London Sinfonietta was released on December 6, 2011. With this song being about 5 minutes long, at 4:45, "Concerto for Orchestra: I. Allegro non troppo" by Oliver Knussen, London Sinfonietta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Best Patriotic American Classical Music Pieces, so we believe that "Concerto for Orchestra: I. Allegro non troppo" is a single. In terms of popularity, Concerto for Orchestra: I. Allegro non troppo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Orchestra: I. Allegro non troppo by Oliver Knussen, London Sinfonietta is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Undine: 5. Andante con moto | Hans Werner Henze, London Sinfonietta, Oliver Knussen | F Major | 3 | 7B | 120 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Rape of Lucretia, Act I, Scene I: Who reaches heaven first is the best philosopher | Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Christopher Purves/Benjamin Russell/Peter Coleman-Wright/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble | F Minor | 2 | 4A | 135 BPM | ||
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Tromsö 2018 IV | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM |
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