Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras made "Over the Hills and Far Away" available on April 18, 2020. Over the Hills and Far Away appears to be safe for all ages as it is not explicit. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #176 out of 186 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Over the Hills and Far Away's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Over the Hills and Far Away by Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Over the Hills and Far Away being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Raymonda, Op. 57: Prélude et la Romanesca | Alexander Glazunov, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester | E Minor | 3 | 9A | 104 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Songs of Sunset: They are not long, the weeping and the laughter | Frederick Delius, Royal Philharmonic Orchestra, Ambrosian Singers, Thomas Allen, Sarah Walker, Eric Fenby | A Minor | 0 | 8A | 174 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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