"Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio" by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt was released on 2006. The duration of Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in B-Flat Major for Oboe Solo and Strings, Op. 7 No. 3: II. Adagio by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt is Lento (slowly), since this song has a tempo of 47 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Water Music Suite No.1 In F, HWV 348: 1. Ouverture (Grave - Allegro) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | E Major | 3 | 12B | 123 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Chant du Ménestrel, Op. 71 | Alexander Glazunov, Mstislav Rostropovich, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 82 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM |
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