хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра made "Евгений Онегин, соч. 24, действие I картина 1: No. 2c, Хор "Уж как по мосту-мосточку"" available on January 1, 2011. With Евгений Онегин, соч. 24, действие I картина 1: No. 2c, Хор "Уж как по мосту-мосточку" being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Чайковский: Евгений Онегин, соч. 24, so we believe that "Евгений Онегин, соч. 24, действие I картина 1: No. 2c, Хор "Уж как по мосту-мосточку"" is a single. In terms of popularity, Евгений Онегин, соч. 24, действие I картина 1: No. 2c, Хор "Уж как по мосту-мосточку" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Евгений Онегин, соч. 24, действие I картина 1: No. 2c, Хор "Уж как по мосту-мосточку" by хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spring Symphony, Op. 44, Part I: The Driving Boy (soprano, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | D Major | 2 | 10B | 148 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Puccini: Tosca, Act 1: "Ma con quei cani di volterriani" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
A Life for the Tsar: Final Chorus "Slav'sya" | Mikhail Glinka, Peter Feranec | C Major | 3 | 8B | 69 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
I Capuleti e i Montecchi: Oh! quante volte ti chiedo | Vincenzo Bellini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | G Minor | 0 | 6A | 78 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM |
Section: 0.6839325428009033
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