"Prokofiev: Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. With this song being about 5 minutes long, at 4:50, "Prokofiev: Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio)" by Sergei Prokofiev, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #6. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 2: No. 36, The Prince and Cinderella (Adagio) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus highlights (1993 Digital Remaster): Variation of Aegina | Aram Khachaturian, London Symphony Orchestra | F♯ Major | 3 | 2B | 79 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Summoning of the Ancestors | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | G Minor | 0 | 6A | 174 BPM | ||
Don Quixote: Prologue: Entrance of Don Quixote | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 0 | 8B | 124 BPM | ||
Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 75 BPM |
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