"Requiem for the Living: Offertorium - Buddha - Canzonas" by Arthur Gottschalk, Lauren Snouffer, Andrea Jaber, St.Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra, Vladimir Lande was released on September 11, 2015. Since Requiem for the Living: Offertorium - Buddha - Canzonas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 9 in Arthur Gottschalk: Requiem for the Living by Arthur Gottschalk, St. Petersburg State Symphony Orchestra, St.Petersburg Chamber Choir, Vladimir Lande. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Requiem for the Living: Offertorium - Buddha - Canzonas's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem for the Living: Offertorium - Buddha - Canzonas by Arthur Gottschalk, Lauren Snouffer, Andrea Jaber, St.Petersburg Chamber Choir, St. Petersburg State Symphony Orchestra, Vladimir Lande is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Rondo For Cello And String Orchestra, Op. 9 | Jacques Hétu, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | B♭ Major | 0 | 6B | 111 BPM | ||
The Tempest: Suite No. 2, Op. 109: V. Song I and II | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A Major | 1 | 11B | 140 BPM | ||
Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
Pastorales 2020: IV. Larghetto | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
12のチェロのための賛歌 | 古川展生 | G Major | 2 | 9B | 90 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Danzi Is Transported | Arturo Cardelús | G Minor | 1 | 6A | 169 BPM |
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