Spanish Dances, Op. 23: No. 1. Playera - Pablo de Sarasate, James Ehnes, Eduard Laurel Information

Acousticness: 95%
Danceability: 13%
Energy: 3%
Instrumentalness: 10%
Liveness: 14%
Loudness: 55%
Speechiness: 5%
Valence: 7%
Popularity: 4%
Loudness: -26.833 dB

Summary

"Spanish Dances, Op. 23: No. 1. Playera" by Pablo de Sarasate, James Ehnes, Eduard Laurel was released on January 1, 2000. With this song being about 5 minutes long, at 5:06, "Spanish Dances, Op. 23: No. 1. Playera" by Pablo de Sarasate, James Ehnes, Eduard Laurel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #10 out of 12 tracks. Spanish Dances, Op. 23: No. 1. Playera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spanish Dances, Op. 23: No. 1. Playera BPM

Since Spanish Dances, Op. 23: No. 1. Playera by Pablo de Sarasate, James Ehnes, Eduard Laurel has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Spanish Dances, Op. 23: No. 1. Playera being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Spanish Dances, Op. 23: No. 1. Playera Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante	Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky	D♭ Minor	6	12A	160 BPM
Violin Sonata in G Minor, "Devil's Trill": II. Allegro energico	Giuseppe Tartini, Ray Chen	B♭ Major	2	6B	90 BPM
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso	Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek	B♭ Major	2	6B	133 BPM
Sonata in G Minor: II. Courante: Allegro con spirito	Henry Eccles, Amit Peled, Eliza Ching	G Minor	2	6A	127 BPM
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "Spring": II. Largo	Antonio Vivaldi, Bohuslav Matousek, Zdenek Dejmek, Janacek Chamber Orchestra	D♭ Minor	0	12A	97 BPM
Carmen Fantasy, Op. 25: Introduction. Allegro moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	C Major	3	8B	135 BPM
Zapateado Op. 23	Pablo de Sarasate, Sarah Chang, Charles Abramovic	A Major	3	11B	113 BPM
Romanian Folk Dances, Sz.56: I. Allegro moderato	Béla Bartók, Kurt Nikkanen, Rohan De Silva	A Minor	0	8A	80 BPM
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro, ma non troppo	Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra	A Minor	2	8A	103 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.660865306854248

End: 0.6644926071166992