Antonio Vivaldi, Rachel Barton Pine, Ars Antigua's 'Viola d'amore Concerto in F Major, RV 97: II. Largo' had a release date set for September 11, 2015. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vivaldi: The Complete Viola d'amore Concertos by Antonio Vivaldi, Rachel Barton Pine, Ars Antigua. The song's track number on the album is #8 out of 24 tracks. In terms of popularity, Viola d'amore Concerto in F Major, RV 97: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Viola d'amore Concerto in F Major, RV 97: II. Largo by Antonio Vivaldi, Rachel Barton Pine, Ars Antigua has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Viola d'amore Concerto in F Major, RV 97: II. Largo being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro | George Frideric Handel, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 144 BPM | ||
Concerto For Strings In D Minor, RV 128: II. Largo | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 1 | 7A | 0 BPM | ||
Concerto In Do maggiore: Allegro Molto | Modo Antiquo | F♯ Major | 1 | 2B | 123 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Trumpet Concerto No. 1 in D Major, MWV 6:32: III. Allegro | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 91 BPM | ||
Albinoni: Concerto a cinque in C Major, Op. 10 No. 9: II. Larghetto | Tomaso Albinoni, Claudio Scimone, Giuliano Carmignola, I Solisti Veneti | A Minor | 2 | 8A | 95 BPM | ||
Concerto grosso in E Minor, Op. 3/4, RV. 550: II. Allegro assai | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Micaela Comberti, Miles Golding, The English Concert, Trevor Pinnock | B Minor | 4 | 10A | 119 BPM |