- BPM
- 132
- Key
- D♭ Minor
- Camelot
- 12A
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale - Edvard Grieg, Leonard Bernstein, New York Philharmonic Information
- Acousticness
- 95%
- Danceability
- 18%
- Energy
- 20%
- Instrumentalness
- 83%
- Liveness
- 18%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -16.201 dB
Summary
"Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale" by Edvard Grieg, Leonard Bernstein, New York Philharmonic was released on December 22, 2017. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale BPM
The tempo marking of Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale by Edvard Grieg, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto pastorale Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | |
 | From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | |
 | Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM | |
 | Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | |
 | Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 72 BPM | |
 | The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | |
 | Polonaise de Concert in D, Op. 4 | Henryk Wieniawski, Nikolaj Znaider | D Major | 2 | 10B | 178 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8126821517944336
End: 0.8161437511444092