Le basque (arr. K. Smith for flute and piano) - Marin Marais, Kenneth Smith, Paul Rhodes Information

Acousticness: 99%
Danceability: 58%
Energy: 13%
Instrumentalness: 95%
Liveness: 26%
Loudness: 65%
Speechiness: 5%
Valence: 94%
Popularity: 10%
Loudness: -21.062 dB

Summary

On October 29, 2013, the song "Le basque (arr. K. Smith for flute and piano)" was released by Marin Marais, Kenneth Smith, Paul Rhodes. With Le basque (arr. K. Smith for flute and piano) being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The Expressive Voice of the Flute". In this album, this song's track order is #22. Based on our statistics, Le basque (arr. K. Smith for flute and piano)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Le basque (arr. K. Smith for flute and piano) BPM

With Le basque (arr. K. Smith for flute and piano) by Marin Marais, Kenneth Smith, Paul Rhodes having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Le basque (arr. K. Smith for flute and piano) Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Te Deum	Marc-Antoine Charpentier, Noel Rawsthorne	D Major	3	10B	71 BPM
Oboe Sonata in D Major, Op. 166: I. Andantino	Camille Saint-Saëns, Allan Vogel, Bryan Pezzone	D Minor	2	7A	66 BPM
Morceau de Concours, for Flute & Piano in F Major	Gabriel Fauré, Claude Regimbald, Martine Buytaert	D Major	0	10B	169 BPM
Walking Tune (arr. B.P. Ould for flute and piano)	Percy Grainger, Barry Peter Ould, Kenneth Smith, Paul Rhodes	F Major	0	7B	80 BPM
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture	Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques	B♭ Major	3	6B	128 BPM
Gigue from Sonata, Op. 5, No. 9	Arcangelo Corelli, Richard Kapp, Philharmonia Virtuosi of New York	A Major	2	11B	62 BPM
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4	Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard	A Major	1	11B	128 BPM
Alcione, Acte I Scène 3: "Écoutez nos serments, arbitres des humains"	Marin Marais, Jordi Savall, Léa Desandre, Cyril Auvity, Le Concert Des Nations	D Minor	2	7A	109 BPM
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement)	Marin Marais, Philippe Pierlot	D♭ Major	0	3B	77 BPM
Idylle	Benjamin Godard, Marc Grauwels, Waterloo Chamber Orchestra, Ulysse Waterlot	G Major	1	9B	70 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9417316913604736

End: 0.9479465484619141