Percy Grainger, Barry Peter Ould, Kenneth Smith, Paul Rhodes's 'Walking Tune (arr. B.P. Ould for flute and piano)' came out on October 29, 2013. The duration of Walking Tune (arr. B.P. Ould for flute and piano) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Walking Tune (arr. B.P. Ould for flute and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "The Expressive Voice of the Flute". In this album, this song's track order is #23. Walking Tune (arr. B.P. Ould for flute and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Walking Tune (arr. B.P. Ould for flute and piano) by Percy Grainger, Barry Peter Ould, Kenneth Smith, Paul Rhodes having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Country Gardens, BFMS 22 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | E♭ Major | 1 | 5B | 174 BPM | ||
Die Moldau | Bedřich Smetana, Alexander Boldachev | D Major | 0 | 10B | 77 BPM | ||
Lakmé: Dôme épais, le jasmin | Léo Delibes, Quatuor La Flûte Enchantée | A Major | 1 | 11B | 123 BPM | ||
Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Études Symphoniques, Op. 13: Étude II (Variation II). Andante | Robert Schumann, Percy Grainger | E♭ Major | 2 | 5B | 134 BPM | ||
L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor | Jacques Hotteterre, Mirjam Nastasi | B Minor | 1 | 10A | 139 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM |
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