Jacques Hotteterre, Mirjam Nastasi made "L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor" available on April 3, 2012. The duration of L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 11 in Die Soloflote, Vol. 1: Barock by Mirjam Nastasi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of L'Art de Preluder, Op. 7: Prelude in D Minor - Prelude in B Minor - Prelude in E Minor by Jacques Hotteterre, Mirjam Nastasi is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor (Arr. for Harp and Orchestra) | Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondo | C Minor | 1 | 5A | 175 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Adagio patetico in Op. 33, No. 10 | Ernesto Köhler, Mirjam Nastasi | A Minor | 0 | 8A | 81 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Divertissement for Flute in C Major, Op. 16, No. 2 | Charles Keller, Mirjam Nastasi | C Major | 0 | 8B | 135 BPM | ||
Sonata in G Minor, BWV 1020: II. Adagio | Johann Sebastian Bach, Marina Piccinini, João Luiz, Douglas Lora | E♭ Major | 0 | 5B | 71 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM |
Section: 0.5684630870819092
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