Marin Marais, Markku Luolajan-Mikkola, Annamari Polho, Eero Palviainen, Mika Suihkonen made "Pieces de viole, Book 4: Suitte d'un gout Etranger in F Minor: No. 64. Le Tourbillon" available on January 1, 1994. With Pieces de viole, Book 4: Suitte d'un gout Etranger in F Minor: No. 64. Le Tourbillon being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais's "Marais: Pièces de Viole, Book IV, Suitte d'un Goût Étranger (Excerpts)" album is number 7 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Pieces de viole, Book 4: Suitte d'un gout Etranger in F Minor: No. 64. Le Tourbillon's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pieces de viole, Book 4: Suitte d'un gout Etranger in F Minor: No. 64. Le Tourbillon by Marin Marais, Markku Luolajan-Mikkola, Annamari Polho, Eero Palviainen, Mika Suihkonen to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
[Suite en ré majeur]: V. Gavotte (No. 51) | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 131 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
Chiacona per la lettera B | Giovanni Battista Vitali, Tragicomedia, Paul O'Dette | B Major | 1 | 1B | 114 BPM |
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