"Huit Chansons de Fleurs: No. 3, The Tulips" by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore was released on April 19, 2024. With this song being about 5 minutes long, at 5:03, "Huit Chansons de Fleurs: No. 3, The Tulips" by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rose in Bloom". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Huit Chansons de Fleurs: No. 3, The Tulips is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Huit Chansons de Fleurs: No. 3, The Tulips by Ricky Ian Gordon, Erin Morley, Gerald Martin Moore having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM | ||
Sweet Chance That Led My Steps Abroad | Charlotte Hoather, George Todica | F Major | 2 | 7B | 135 BPM | ||
Allez, Ma Chérie | Fanny Hearst | F Minor | 0 | 4A | 71 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
Songs of Travel: Whither Must I Wander? | Ralph Vaughan Williams, David John Pike, Isabelle Trüb | E Major | 3 | 12B | 92 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM | ||
10. My well-beloved Lord | Arthur Sullivan, Mary Sansom, Thomas Round, Donald Adams, The New Symphony Orchestra Of London, Isidore Godfrey | F♯ Major | 2 | 2B | 83 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
My Sister’s New Red Hat | Melanie Helton, Ricky Ian Gordon | F Major | 2 | 7B | 132 BPM |
Section: 0.7492108345031738
End: 0.7532219886779785