"Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With The Wind")" by Charles Gerhardt was released on 1974. The duration of Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With The Wind") is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With The Wind")'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 11 in Classic Film Scores: Gone With The Wind by Charles Gerhardt. Based on our statistics, Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With The Wind")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With The Wind") by Charles Gerhardt is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | David Hirschfelder, Kim Wheeler | E♭ Major | 1 | 5B | 86 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Juarez: Love Theme (From "Juarez") | Charles Gerhardt, Grover Helsley | D Major | 4 | 10B | 86 BPM | ||
Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Elgar: Chanson de matin, Op. 15 No. 2 | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | G Major | 1 | 9B | 92 BPM | ||
Pomp and Circumstance March No. 1 in D Major, Op. 39 | Edward Elgar, Mike Batt, Royal Philharmonic Orchestra | F Major | 3 | 7B | 88 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM |
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