Giovanni Pierluigi da Palestrina, Ora Singers, Suzi Digby's 'Assumpta est Maria (a)' came out on August 4, 2023. Assumpta est Maria (a) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 37 in the song's album "Sanctissima: Vespers and Benediction for the Feast of the Assumption of the Virgin Mary". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Assumpta est Maria (a) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Assumpta est Maria (a) by Giovanni Pierluigi da Palestrina, Ora Singers, Suzi Digby having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Rappresentatione di Anima e di Corpo (Representation of Soul and Body): Prologue | Emilio de' Cavalieri, Rosita Frisani, Marinella Pennicchi, Patrizia Vaccari, Alessandro Carmignani, Giovanni Pentasuglia, Michel Van Goethem, Alessandro Casari, Gian Luigi Maria Ghiringhelli, Roberto Abbondanza, Carlo Lepore, Marcello Vargetto, Gastone Sarti, Prague Philharmonic Children's Choir, San Petronio Cappella Musicale Orchestra, Sergio Vartolo | D Major | 1 | 10B | 105 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Miserere: IX. Quoniam si voluisses sacrificium, Sacrificium Deo spiritus contribulatus - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Lotti: Crucifixus a 8 voci | Antonio Lotti, Philip Ledger | C Minor | 1 | 5A | 139 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM |
Section: 0.5989923477172852
End: 0.6029345989227295