"The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna)" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra was released on September 4, 2020. The duration of The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Lucy Crowe, Gerald Finley, Sophia Burgos's "Janáček: The Cunning Little Vixen, Sinfonietta" album is number 6 out of 49. In terms of popularity, The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Cunning Little Vixen (Příhody lišky Bystroušky), JW I/9, Act I: Interlude (Proměna) by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moravian Folk Poetry in Songs, JW V/2: No. 17, Game Warden | Leoš Janáček, Martina Janková, Tomáš Král, Ivo Kahanek | A Minor | 2 | 8A | 123 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Folk Poetry of Hukvaldy in Songs, JW V/4: No. 10, When I Walked Through the Dark Forest | Leoš Janáček, Martina Janková, Tomáš Král, Ivo Kahanek | D Major | 0 | 10B | 64 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) | Franz Liszt, Daniil Trifonov | B♭ Minor | 2 | 3A | 68 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM |
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