Leoš Janáček, Martina Janková, Tomáš Král, Ivo Kahanek made "Moravian Folk Poetry in Songs, JW V/2: No. 17, Game Warden" available on September 18, 2015. With Moravian Folk Poetry in Songs, JW V/2: No. 17, Game Warden being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leoš Janáček, Martina Janková, Tomáš Král, Ivo Kahanek's "Janáček: Moravian Folk Songs" album is number 31 out of 51. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Moravian Folk Poetry in Songs, JW V/2: No. 17, Game Warden's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Moravian Folk Poetry in Songs, JW V/2: No. 17, Game Warden by Leoš Janáček, Martina Janková, Tomáš Král, Ivo Kahanek to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V mlhách: II. Molto adagio | Leoš Janáček, Gianluigi Daniele | A♭ Minor | 0 | 1A | 72 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM |
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