"Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King)" by Richard Wagner, Klaus Florian Vogt, Günther Groissböck, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin was released on June 1, 2012. The duration of Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King) is about 3 minutes long, at 3:18. Based on our data, "Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wagner: Lohengrin by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin. The song's track number on the album is #8 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King) by Richard Wagner, Klaus Florian Vogt, Günther Groissböck, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75, Act I: Nun sei bedankt, mein lieber Schwan! (Lohengrin, The King) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Requiem: XVII. Libera Me | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra | C Minor | 1 | 5A | 118 BPM |
Section: 0.7274172306060791
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