"Pictures at an Exhibition, IMM 50: I. Gnomus (The Gnome). Vivo" by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra was released on 1957. The duration of Pictures at an Exhibition, IMM 50: I. Gnomus (The Gnome). Vivo is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Pictures at an Exhibition, IMM 50: I. Gnomus (The Gnome). Vivo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #2. In terms of popularity, Pictures at an Exhibition, IMM 50: I. Gnomus (The Gnome). Vivo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition, IMM 50: I. Gnomus (The Gnome). Vivo by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
The Rite of Spring, Part 2: III .Glorification of the Chosen One | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D♭ Major | 6 | 3B | 137 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Mussorgsky: Boris Godunov, Act 1: Grigoriy's Flight. "Ya gramotnyi" (Grigoriy, Nikitich, Varlaam, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Stanisław Pieczora, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM |
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