Nicola Porpora, Dilyara Idrisova, Julia Lezhneva, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus made "Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna"" available on November 3, 2017. The duration of Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna" is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #32. Furthermore, we believe that the track originated from United Kingdom. Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Germanico in Germania / Act 2: "Or ch’arde l’aspra e sanguinosa pugna" by Nicola Porpora, Dilyara Idrisova, Julia Lezhneva, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Polifemo: Aria: Nell'attendere il mio bene - Aci | Nicola Porpora, Yuriy Mynenko, George Petrou, Armonia Atenea | A♭ Minor | 1 | 1A | 133 BPM | ||
Siroe: "Fra l'orror della tempesta" | Johann Adolf Hasse, Riccardo Minasi, Il Pomo D'oro, Franco Fagioli | D♭ Major | 5 | 3B | 131 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Platée, RCT 53, Acte II, Scène IV: Récitativ "Essayons du brillant" - Ariette "Aux langueurs d'Apollon" | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 111 BPM | ||
Scarlatti, A: Griselda, Act 2: "Mi rivedi, o selva ombrosa" (Griselda) | Alessandro Scarlatti, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 1 | 3B | 76 BPM | ||
Cavalli: Il Xerse, Act 1: "Ombra mai fu" (Xerse) | Francesco Cavalli, Philippe Jaroussky | F Major | 1 | 7B | 91 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM |
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