"Le Nozze di Figaro K492 (1990 Digital Remaster), ACT 2: Porgi, amor (Contessa)" by Heather Harper, English Chamber Orchestra, Daniel Barenboim was released on 2004. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 Best Opera Classics, so we believe that "Le Nozze di Figaro K492 (1990 Digital Remaster), ACT 2: Porgi, amor (Contessa)" is a single. The popularity of Le Nozze di Figaro K492 (1990 Digital Remaster), ACT 2: Porgi, amor (Contessa) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Nozze di Figaro K492 (1990 Digital Remaster), ACT 2: Porgi, amor (Contessa) by Heather Harper, English Chamber Orchestra, Daniel Barenboim is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
Four Songs, Op.2: 2. The Nightingale and the Rose | Nikolai Rimsky-Korsakov, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B Minor | 0 | 10A | 87 BPM | ||
Peter Grimes, Op. 33 / Act 3: "Come along, Doctor!" | Benjamin Britten, John Lanigan, Patricia Payne, Heather Harper, Jonathan Summers, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Minor | 4 | 9A | 76 BPM | ||
Messa di Requiem, Requiem: Kyrie eleison, Christe eleison | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | A Major | 3 | 11B | 77 BPM | ||
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
Act I - Israelite Man, Woman "Well May Your Sorrows" | Handel, Heather Harper, Helen Watts, ECO/Somary, John Shirley-Quirk, Alexander Young | F Major | 2 | 7B | 77 BPM | ||
Verdi: Messa da Requiem: IX. Ingemisco | Giuseppe Verdi, Riccardo Muti, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Die Jahreszeiten - Hob. XXI:3 / 4. Winter: "Now sinks the pale declining year" | Joseph Haydn, Heather Harper, John Shirley-Quirk, BBC Symphony Orchestra, Sir Colin Davis | D♭ Major | 0 | 3B | 89 BPM | ||
Requiem: IX. Confutatis | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, John Relyea | D♭ Minor | 1 | 12A | 81 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM |
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