- BPM
- 53
- Key
- G Major
- Camelot
- 9B
The Holly and the Ivy (Arr. Henry Walford Davies) - French Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Joel Williams, Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz Information
- Acousticness
- 98%
- Danceability
- 20%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 38%
- Loudness
- 50%
- Speechiness
- 10%
- Valence
- 27%
- Popularity
- 14%
- Loudness
- -29.917 dB
Summary
French Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Joel Williams, Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz's 'The Holly and the Ivy (Arr. Henry Walford Davies)' came out on October 27, 2014. The duration of The Holly and the Ivy (Arr. Henry Walford Davies) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Holly and the Ivy (Arr. Henry Walford Davies)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 25 in Favourite Carols from King's by Stephen Cleobury, Choir of King's College, Cambridge. The Holly and the Ivy (Arr. Henry Walford Davies) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The Holly and the Ivy (Arr. Henry Walford Davies) BPM
The tempo marking of The Holly and the Ivy (Arr. Henry Walford Davies) by French Traditional, Choir of King's College, Cambridge, Stephen Cleobury, Joel Williams, Sam Landman, Barnaby May, Rupert Peacock, Robert Busiakiewicz is Lento (slowly), since this song has a tempo of 53 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The Holly and the Ivy (Arr. Henry Walford Davies) Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | |
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 | Witness | Jack Halloran, The Gustavus Choir, Gregory Aune | F♯ Minor | 3 | 11A | 142 BPM | |
 | We Sing the Praise of Him Who Died | Frederick Guntermann | D♭ Major | 2 | 3B | 134 BPM | |
 | L’cha Adonai | The Shaar Hashomayim Synagogue Choir | A♭ Minor | 2 | 1A | 80 BPM | |
 | Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | |
 | Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu | Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | E♭ Major | 2 | 5B | 101 BPM | |
 | Ev'ry Time I Feel the Spirit | The Spiritual Singers, Jan Wilschut | D Minor | 0 | 7A | 141 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7534668445587158
End: 0.7591152191162109