"Missa l'homme armé sexti toni: III. Credo" by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire was released on November 7, 2006. Since Missa l'homme armé sexti toni: III. Credo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus's "Josquin Desprez, Vol. 2" album is number 4 out of 54. The popularity of Missa l'homme armé sexti toni: III. Credo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa l'homme armé sexti toni: III. Credo by Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Messe vidi turbam magnam: No. 6, Sanctus | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 172 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Quia vidisti me, Thoma | Orlande de Lassus, Harmonia Recorder Ensemble | A Minor | 0 | 8A | 63 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Greyner, Zanner | Piffaro | A Major | 1 | 11B | 132 BPM | ||
Psaume 128: Bienheureux est quiconque | Claude Goudimel, Claude Goudimel Ensemble, Christine Morel | G Minor | 2 | 6A | 135 BPM | ||
Officium Defunctorum - Ad Matutinum | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM |
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