"Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147" by Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston was released on January 1, 2000. The duration of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Beverley Johnston's "Marimbach - Bach Arranged for Marimba Solo" album is number 14 out of 23. On top of that, Canada appears to be the country where this track was created. Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 by Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa pro defunctis (1650): III. Symphonia | Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe | D Major | 0 | 10B | 136 BPM | ||
Ave Maria | Charles Gounod, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | ||
Suite Bergamesque, L. 75: III. Clair de lune (Transcr. V. Coeur) | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | A Minor | 1 | 8A | 74 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
12 Fantaisies: No. 7 in D Major, TWV 40:8 | Georg Philipp Telemann, Mirjam Nastasi | E Minor | 1 | 9A | 59 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Sonate e Partite: No. 43, Andante | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM |
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