Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147
Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston
Marimbach - Bach Arranged for Marimba Solo
2:49 January 1, 2000
BPM
68
Key
F Major
Camelot
7B

Embed

Share Link

Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 - Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston Information

Acousticness
99%
Danceability
28%
Energy
1%
Instrumentalness
94%
Liveness
9%
Loudness
36%
Speechiness
5%
Valence
14%
Popularity
Loudness
-38.116 dB

Summary

"Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147" by Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston was released on January 1, 2000. The duration of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Beverley Johnston's "Marimbach - Bach Arranged for Marimba Solo" album is number 14 out of 23. On top of that, Canada appears to be the country where this track was created. Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 BPM

We consider the tempo marking of Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 by Johann Sebastian Bach, J. Scott Irvine, Beverley Johnston to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Herz und Mund und Tat und Leben, BWV 147: Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring) (arr. J. S. Irvine): Jesu, Joy of Man's Desiring, BWV 147 Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa pro defunctis (1650): III. Symphonia by Philippus van Steelant, B'Rock Orchestra, Frank AgsterribbeMissa pro defunctis (1650): III. SymphoniaPhilippus van Steelant, B'Rock Orchestra, Frank AgsterribbeD Major010B136 BPM
Ave Maria by Charles Gounod, Yo-Yo MaAve MariaCharles Gounod, Yo-Yo MaC Major08B87 BPM
Suite Bergamesque, L. 75: III. Clair de lune (Transcr. V. Coeur) by Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta AmsterdamSuite Bergamesque, L. 75: III. Clair de lune (Transcr. V. Coeur)Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta AmsterdamA Minor18A74 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
12 Fantaisies: No. 7 in D Major, TWV 40:8 by Georg Philipp Telemann, Mirjam Nastasi12 Fantaisies: No. 7 in D Major, TWV 40:8Georg Philipp Telemann, Mirjam NastasiE Minor19A59 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73 Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mossoLudwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony OrchestraB Major01B61 BPM
Sonate e Partite: No. 43, Andante by Francesco Lecce, Claudio FerrariniSonate e Partite: No. 43, AndanteFrancesco Lecce, Claudio FerrariniC Major28B67 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) by Claude Debussy, Paul GalbraithPreludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar)Claude Debussy, Paul GalbraithG Major09B92 BPM
ISRC
CACA30880524
Label
L-M Records/RCA Records

Section: 0.7256741523742676

End: 0.7307710647583008