Fernando Sor, Enea Leone's '24 Short Progressive Pieces, Op. 44: No. 9, Andantino' came out on August 8, 2014. With 24 Short Progressive Pieces, Op. 44: No. 9, Andantino being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #57. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 24 Short Progressive Pieces, Op. 44: No. 9, Andantino is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Short Progressive Pieces, Op. 44: No. 9, Andantino by Fernando Sor, Enea Leone having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Studies, Op. 35, "Exercises": Study No. 18 in E Minor | Fernando Sor, Timo Korhonen | E Minor | 0 | 9A | 108 BPM | ||
Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 86 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
Homenaje a Tárrega, Op. 69: II. Soleares | Joaquín Turina, Craig Ogden | D Major | 1 | 10B | 116 BPM | ||
5 Bagatelles: I. Allegro | William Walton, Ana Vidovic | A Minor | 1 | 8A | 141 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448 (arr. J. Sparks): IV. Introduction - | Luigi Boccherini, Jeremy Sparks, Los Angeles Guitar Quartet | D Major | 0 | 10B | 114 BPM | ||
楊雪霏 | Xuefei Yang | A Minor | 3 | 8A | 88 BPM | ||
Guitar Sonata, Op. 21, No. 2: III. Allegretto | Ferdinando Carulli, Richard Savino | D Major | 2 | 10B | 149 BPM |
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