"Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: V. Adagio" by Bohuslav Martinů, Michal Kanka, Jaromir Klepac was released on January 1, 2001. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: V. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Arabesques. Rythmic Edudes for Cello and Piano, H. 201: V. Adagio by Bohuslav Martinů, Michal Kanka, Jaromir Klepac is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Suite for String Orchestra, JW6 No. 2: VI. Andante | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B Minor | 1 | 10A | 113 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): V. Second Dance - The Dance of the Trees | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Serenade for Strings in E Major, B.52: I. Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 181 BPM | ||
Concerto for String Orchestra: III. Vivo | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A♭ Major | 1 | 4B | 142 BPM | ||
Violin Concerto in D Minor, WoO 1: III. Lebhaft, doch nicht schnell (Excerpt) | Robert Schumann, Ilya Kaler, Bournemouth Symphony Orchestra, Pietari Inkinen | D Major | 2 | 10B | 76 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Variation 2: Allegro non troppo | Anton Arensky, Ying Quartet | E Minor | 2 | 9A | 99 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM |
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