- BPM
- 134
- Key
- F♯ Major
- Camelot
- 2B
Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971 - Giuseppe Verdi, Luciano Pavarotti, Helen Donath, San Francisco Opera Chorus, San Francisco Opera Orchestra, Sir Charles Mackerras Information
- Acousticness
- 98%
- Danceability
- 40%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 68%
- Loudness
- 81%
- Speechiness
- 4%
- Valence
- 56%
- Popularity
- 1%
- Loudness
- -11.153 dB
Summary
Giuseppe Verdi, Luciano Pavarotti, Helen Donath, San Francisco Opera Chorus, San Francisco Opera Orchestra, Sir Charles Mackerras made "Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971" available on January 1, 2010. With this song being about 5 minutes long, at 5:18, "Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971" by Giuseppe Verdi, Luciano Pavarotti, Helen Donath, San Francisco Opera Chorus, San Francisco Opera Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Luciano Pavarotti's "Luciano Pavarotti: The Ultimate Collection Live – Over 100 Tracks Live in Concert and at the Opera" album is number 35 out of 115. On top of that, United States appears to be the country where this track was created. Based on our statistics, Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971 BPM
We consider the tempo marking of Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971 by Giuseppe Verdi, Luciano Pavarotti, Helen Donath, San Francisco Opera Chorus, San Francisco Opera Orchestra, Sir Charles Mackerras to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Un ballo in maschera, Act III: Ma se m'è forza perderti - Live in San Francisco, 1971 Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Giacomo Aragall, Pilar Lorengar, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel | B♭ Major | 2 | 6B | 68 BPM | |
 | Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | |
 | L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | |
 | Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | |
 | Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | |
 | Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | |
 | Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | |
 | La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM | |
 | La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | |
 | Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM |
- ISRC
- USSRL0701592
- Label
- L-M Records/RCA Records
Section: 0.6502923965454102
End: 0.6551845073699951