"Fair Cytherea presents her doves" by John Lisley, I Fagiolini, Robert Hollingworth was released on February 1, 2002. The duration of Fair Cytherea presents her doves is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Fair Cytherea presents her doves's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Triumphs Of Oriana (The)". In this album, this song's track order is #29. Based on our statistics, Fair Cytherea presents her doves's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fair Cytherea presents her doves by John Lisley, I Fagiolini, Robert Hollingworth having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 1/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marienvesper - 1. Versus. Ave maris stella | Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke | A Minor | 1 | 8A | 76 BPM | ||
Offertorium: II. Hostias et preces | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 139 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Missa Virginis Mariae: VIII. Ite, missa est | Claudio Merulo, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | G Minor | 2 | 6A | 94 BPM | ||
Quatre petites prières de Saint-François d'Assise, FP 142: II. Tout puissant | Francis Poulenc, Tenebrae, Nigel Short | G Major | 0 | 9B | 68 BPM | ||
Begl’occhi, oh Dio, non più: Per te, mia vita, moro | Agostino Steffani, Lea Desandre, Cenacolo Musicale | D♭ Minor | 1 | 12A | 100 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Leuven Chansonnier: No. 29, Le corps s'en va et le cueur vous demeure | Antoine Busnois, Anonymous, Sollazzo Ensemble, Anna Danilevskaia | B Major | 1 | 1B | 116 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Pass'e mezzo nuouo primo | Anonymous, Musica Antiqua, Christian Mendoze | G Major | 1 | 9B | 140 BPM |
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