"Marienvesper - 1. Versus. Ave maris stella" by Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke was released on May 23, 2002. With Marienvesper - 1. Versus. Ave maris stella being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 30 in Chiara Margarita Cozzolani: Marienvesper by Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke. Marienvesper - 1. Versus. Ave maris stella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marienvesper - 1. Versus. Ave maris stella by Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
O dolor, o lacrymae à 6 | Melchior Franck, Orlando di Lasso Ensemble, Detlef Bratschke | G Major | 1 | 9B | 70 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Missa Canonica, WoO 18: I. Kyrie | Johannes Brahms, Detlef Bratschke, Kammerchor Stuttgart, Frieder Bernius | D Minor | 1 | 7A | 136 BPM | ||
Te deum, LWV 55: VIII. Te ergo quaesumus | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Cantata I: Ad pedes (To the Feet): Clavos pedum - Soprano I | The Sixteen | B Minor | 0 | 10A | 66 BPM | ||
Messe vidi turbam magnam: No. 5, credo | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 142 BPM | ||
Weint nicht um meinem Tod | Johann Bach, Henri Ledroit, Ricercar Consort | D♭ Major | 3 | 3B | 114 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Il primo libro de Madrigali: III. Selue beate | Heinrich Schütz, Orlando di Lasso Ensemble | B♭ Major | 1 | 6B | 170 BPM |
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