"Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Lukáš Zeman, Pavlo Hunka, Claire Barnett-Jones, Andrew Staples, Katarina Dalayman, London Symphony Chorus was released on February 23, 2024. The duration of Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu" is about 3 minutes long, at 3:13. Based on our data, "Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 20 out of 32. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act III Scene 2: "Ptáčci přiletí na mohylu" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Lukáš Zeman, Pavlo Hunka, Claire Barnett-Jones, Andrew Staples, Katarina Dalayman, London Symphony Chorus to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
In the Mists: III. Andantino | Leoš Janáček, Giulio Potenza | B Minor | 1 | 10A | 132 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Oboe Quartet in F Major, K. 370: II. Adagio | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | D Minor | 0 | 7A | 84 BPM |
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