"Sonata for Harp and Cello (1974): II. Presto - Arr. for Piano and Cello" by Jānis Ķepītis, Duo Arnicans was released on September 30, 2022. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 14 in Fairytale by Duo Arnicans. Based on our statistics, Sonata for Harp and Cello (1974): II. Presto - Arr. for Piano and Cello's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Harp and Cello (1974): II. Presto - Arr. for Piano and Cello by Jānis Ķepītis, Duo Arnicans is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Lieder Ohne Worte, Zweites Heft, Op. 30 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Maninho | Jade Luiza, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
In Such A Day | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Suite for Cello and Piano: I. Prelude - Conversation | Isobel Dunlop, Alexandra Mackenzie, Ingrid Sawers | A Minor | 1 | 8A | 140 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
Mavra (arr. S. Dushkin): Mavra: Russian Maiden's Song, "Parasha's Aria" (arr. S. Dushkin for violin and piano) | Samuel Dushkin, Igor Stravinsky, Livia Sohn, Benjamin Loeb | G Minor | 0 | 6A | 140 BPM |
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