Komm in die Gondel (From "Eine Nacht in Venedig") - Johann Strauss II, Jonas Kaufmann, Ádám Fischer Information

Acousticness: 98%
Danceability: 23%
Energy: 21%
Instrumentalness: 62%
Liveness: 14%
Loudness: 75%
Speechiness: 4%
Valence: 10%
Popularity: 12%
Loudness: -15.225 dB

Summary

"Komm in die Gondel (From "Eine Nacht in Venedig")" by Johann Strauss II, Jonas Kaufmann, Ádám Fischer was released on October 11, 2019. The duration of Komm in die Gondel (From "Eine Nacht in Venedig") is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Komm in die Gondel (From "Eine Nacht in Venedig")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wien by Jonas Kaufmann, Ádám Fischer, Wiener Philharmoniker. The song's track number on the album is #10 out of 19 tracks. Komm in die Gondel (From "Eine Nacht in Venedig") is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Komm in die Gondel (From "Eine Nacht in Venedig") BPM

Since Komm in die Gondel (From "Eine Nacht in Venedig") by Johann Strauss II, Jonas Kaufmann, Ádám Fischer has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Komm in die Gondel (From "Eine Nacht in Venedig") being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Komm in die Gondel (From "Eine Nacht in Venedig") Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lagunen Waltz, Op. 411	Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Johannes Wildner	D Major	2	10B	99 BPM
Italian Polka	Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg	E♭ Major	1	5B	103 BPM
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"	Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	50 BPM
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	A Major	1	11B	117 BPM
Sarasate: Zigeunerweisen, Op. 20	Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble	C Minor	1	5A	83 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Nutcracker - Waltz of the Flowers	Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker	D Major	1	10B	100 BPM
Casanova: Nuns' Chorus	Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge	F♯ Major	2	2B	88 BPM
Peer Gynt, Op.23 - Incidental Music: No.13. Morning Mood	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	E Major	0	12B	66 BPM
Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande"	Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber	G Major	1	9B	102 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8339502811431885

End: 0.8373222351074219