"Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue" by Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on August 10, 2018. The duration of Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 32 in Bernstein: Symphonies Nos 1-3, Prelude, Fugue & Riffs by Leonard Bernstein, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Prologue by Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si Yeou Ki, Pt. 1: I. Rêve et départ de San Ts'ang | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | B Minor | 0 | 10A | 101 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: II. Presto | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Alèh Stavi für Violoncello solo | Heinz Holliger, Alexandre Foster | B♭ Minor | 0 | 3A | 37 BPM | ||
3 Studies for Piano, Op. 18, Sz. 72: No. 3, Rubato - Molto sostenuto | Béla Bartók, Fülöp Ránki | C Major | 1 | 8B | 135 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Minor | 2 | 6A | 73 BPM | ||
String Quartet No. 10, Op. 118: IV. Allegretto-Andante | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM |
Section: 0.6525840759277344
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