"Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Ah ! Ah ! Je vais mourir" (Didon)" by Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg was released on October 24, 2017. The duration of Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Ah ! Ah ! Je vais mourir" (Didon) is about 3 minutes long, at 3:16. Based on our data, "Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Ah ! Ah ! Je vais mourir" (Didon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 67 out of 72 in Berlioz: Les Troyens by Hector Berlioz, Joyce DiDonato. Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Ah ! Ah ! Je vais mourir" (Didon) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berlioz: Les Troyens, Op. 29, H. 133, Act 5: "Ah ! Ah ! Je vais mourir" (Didon) by Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Les Troyens, Op. 29, H 133, Act II: No. 13. "Quelle espérance ... Le salut des vaincus …" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Ben Heppner, Tigran Martirossian | C Minor | 4 | 5A | 129 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
La Mer, L.109: 2. Play Of The Waves | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | ||
Les Troyens / Act 5: No.49 Cérémonie funèbre: "Dieux de l'oubli" - "S'il faut enfin qu' Enée" | Hector Berlioz, Hélène Perraguin, Jean-Philippe Courtis, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 0 | 2B | 126 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM |
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