Pyotr Ilyich Tchaikovsky, Mischa Maisky, Lily Maisky's '6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky)' came out on May 5, 2020. The duration of 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 436 in the song's album "Tchaikovsky for the day". In this album, this song's track order is #328. Furthermore, we believe that the track originated from Germany. 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Pieces, Op. 51, TH. 143: VI. Valse sentimentale (Arr. for Cello and Piano by Viktor Kubatsky) by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Lily Maisky having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1a, Introduction | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 130 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Divertimento in D Major, K. 136, "Salzburg Symphony No. 1": I. Allegro | Wolfgang Amadeus Mozart, Munich Radio Orchestra, Ulf Schirmer | D Major | 2 | 10B | 137 BPM |
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