"Aria and 6 Variations in F Major, P.195: I. Aria tertia" by Johann Pachelbel, Simone Stella was released on December 28, 2018. With Aria and 6 Variations in F Major, P.195: I. Aria tertia being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 105 in the song's album "Pachelbel: Complete Keyboard Music, Vol. 1". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Aria and 6 Variations in F Major, P.195: I. Aria tertia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria and 6 Variations in F Major, P.195: I. Aria tertia by Johann Pachelbel, Simone Stella having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
Couperin: Second Livre de pièces de clavecin, Huitième Ordre: IX. Passacaille | François Couperin, Olivier Baumont | E Minor | 2 | 9A | 84 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
6 Sonates mêlées de pièces, Op. 2: Flute Sonata No. 2 in D Minor, "La Vibray": III. Gavotta, "Les Caquets": Moderato | Michel Blavet, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Minor | 0 | 5A | 81 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) | Alexandre De Villeneuve | A♭ Major | 0 | 4B | 84 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata a Violoncello Solo G Major: Adagio | Antonio Maria Bononcini, Michal Stahel, Martin Gedeon, Jan Cizmar, Soma Denyés | B Major | 1 | 1B | 121 BPM |
Section: 0.6586854457855225
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