First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) - Alexandre De Villeneuve Information

Acousticness: 99%
Danceability: 49%
Energy: 4%
Instrumentalness: 90%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 72%
Popularity: 7%
Loudness: -26.396 dB

Summary

Alexandre De Villeneuve made "First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse)" available on 1993. With First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Conversations En Musique: Chamber Music In 18th Century France (Conversations En Musique: Musique De Chambre En France Au XVIIIe Siècle) by Arion Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) BPM

The tempo marking of First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) by Alexandre De Villeneuve is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

First Suite In A Minor (Premiere Suite, En La Mineur): Mouvement De Gigue (La Pointilleuse) Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro	Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium	D♭ Major	3	3B	130 BPM
Quartet in G Major: II. Allegro ma non troppo	Johann Gottlieb Janitsch, Berlin Baroque Compagney	F♯ Major	1	2B	144 BPM
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs	Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields	B♭ Major	3	6B	105 BPM
Sonata in F minor, Wq 63/6: I. Finale	Carl Philipp Emanuel Bach, Marcin Świątkiewicz	D♭ Major	3	3B	100 BPM
"Sonate à quatre parties" In D Major: 3. Modérément	Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel	B♭ Minor	0	3A	135 BPM
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: IV. Vivace	Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau	D Major	0	10B	172 BPM
Partita No. 1 in B-Flat Major, BWV 825: IV. Sarabande	Johann Sebastian Bach, Martin Helmchen	B Major	4	1B	70 BPM
Harpsichord Suite No. 3 in A Minor: I. Prelude	Élisabeth Jacquet de La Guerre, Daniela Dolci	A♭ Major	2	4B	76 BPM
Sonata for 2 Recorders and Basso Continuo in D Minor: III. Affetuoso	Giuseppe Sammartini, Dan Laurin, Parnassus Avenue	A Major	1	11B	103 BPM
Sonata in B Minor for Violin and Continuo, Book I, No. 12: I. Largo	Charles-Antoine Branche, David Plantier, Les plaisirs du Parnasse	B♭ Minor	2	3A	143 BPM

ISRC: USA560637718
Label: L-M Records/RCA Records

Section: 0.5663790702819824

End: 0.5699589252471924