"Symphony No. 53, Op. 378, "Star Dawn": I. Maestoso sostenuto" by Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion was released on November 15, 2005. Since Symphony No. 53, Op. 378, "Star Dawn": I. Maestoso sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alan Hovhaness's "Hovhaness: Symphonies Nos. 4, 20 and 53" album is number 10 out of 11. Symphony No. 53, Op. 378, "Star Dawn": I. Maestoso sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 53, Op. 378, "Star Dawn": I. Maestoso sostenuto by Alan Hovhaness, Royal Scottish Academy of Music and Drama Wind Orchestra, Keith Brion to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie in D Major: IV. Versetto No.3, Senza indicazione di tempo | Giacomo Puccini, Paolo Bottini | D Major | 0 | 10B | 141 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Love Song Vanishing Into Sounds of Crickets, Op. 327 | Alan Hovhaness, François Mardirossian | A Minor | 0 | 8A | 138 BPM | ||
Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Suite from The Victorian Kitchen Garden: II. Spring | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 75 BPM |
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