"Moscow Nights" by Vasily Solovyov-Sedoi, Mikhail Matusovsky, Yo-Yo Ma, Kathryn Stott was released on December 11, 2020. The duration of Moscow Nights is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Moscow Nights's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Songs of Comfort and Hope". In this album, this song's track order is #7. Moscow Nights is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moscow Nights by Vasily Solovyov-Sedoi, Mikhail Matusovsky, Yo-Yo Ma, Kathryn Stott having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | D Major | 1 | 10B | 99 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 0 | 2B | 80 BPM | ||
Eugene Onegin, Op. 24, TH 5: Lensky's Aria (Arr. Auer for Violin and Piano) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Antonio Pappano | E Minor | 1 | 9A | 79 BPM | ||
Cello Sonata No. 2 in F Major, Op. 99: III. Allegro passionato | Johannes Brahms, Yo-Yo Ma, Emanuel Ax | F Minor | 0 | 4A | 113 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM |
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