"Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace" by Joachim Raff, Rhenish Philharmonic Orchestra, Samuel Friedmann was released on July 23, 2002. Since Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Raff: Symphony No. 1, 'To the Fatherland'". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 1 in D Major, Op. 96, "An das Vaterland": II. Scherzo: Allegro vivace by Joachim Raff, Rhenish Philharmonic Orchestra, Samuel Friedmann having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio pour piano, violon et violoncelle en Mi bémol majeur, Op. 100, D.929.: III. Scherzando | Franz Schubert, Jean-Claude Pennetier, Régis Pasquier, Roland Pidoux | A♭ Major | 1 | 4B | 97 BPM | ||
Eugen Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra | G Major | 2 | 9B | 103 BPM | ||
Suite en trio, Op. 59: III. Scherzo | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra, members | D Major | 1 | 10B | 108 BPM | ||
Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 2 | 10B | 137 BPM | ||
Symphony Concertante in D Major, Op. 20: III. Polonaise | Johann Evangelist Brandl, David Castro-Balbi, Alexandre Castro-Balbi, Deutsche Staatsphilharmonie Rheinland-Pfalz, Kevin Griffiths | D Major | 2 | 10B | 93 BPM | ||
8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
Introduzione, aria e presto: I. Largo e spiccato | Benedetto Marcello, I Musici | E Minor | 4 | 9A | 133 BPM | ||
2 Piano Pieces, Op. 157: No. 2, La fileuse | Joachim Raff, John O'Conor | A Major | 0 | 11B | 71 BPM | ||
Piano Concerto in C Minor, Op. 185: III. Finale. Allegro | Joachim Raff, Michael Ponti, Hamburg Symphony Orchestra, Richard Kapp | D Minor | 3 | 7A | 87 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM |
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