- BPM
- 152
- Key
- C Major
- Camelot
- 8B
Symphonic Dances From West Side Story: Cha-Cha - Leonard Bernstein, Katia Labèque, Marielle Labèque Information
- Acousticness
- 94%
- Danceability
- 42%
- Energy
- 34%
- Instrumentalness
- 86%
- Liveness
- 9%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 1%
- Loudness
- -13.434 dB
Summary
Leonard Bernstein, Katia Labèque, Marielle Labèque's 'Symphonic Dances From West Side Story: Cha-Cha' came out on June 27, 1989. With Symphonic Dances From West Side Story: Cha-Cha being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 18 in Bernstein: Symphonic Dances and Songs from West Side Story by Leonard Bernstein, Katia & Marielle Labèque. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Symphonic Dances From West Side Story: Cha-Cha's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Symphonic Dances From West Side Story: Cha-Cha BPM
The tempo marking of Symphonic Dances From West Side Story: Cha-Cha by Leonard Bernstein, Katia Labèque, Marielle Labèque is Allegro (fast, quick, and bright), since this song has a tempo of 152 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Symphonic Dances From West Side Story: Cha-Cha Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | |
 | London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | |
 | Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | |
 | Spanish Capriccio in A Major, Op. 34: IV. Scena e canto gitano. Allegretto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | G Major | 3 | 9B | 99 BPM | |
 | Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | |
 | Symphony No. 1 in D Major, Op. 25: III. Gavotta. Non troppo allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): Moderato - Poco piu mosso (Allegro moderato) - Sostenuto - L'istesso tempo - Poco piu mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 122 BPM |
- ISRC
- USSM10205782
- Label
- L-M Records/RCA Records
Section: 0.6941497325897217
End: 0.6974821090698242