"Gallois-Montbrun : Sarabande & Finale" by Raymond Gallois Montbrun, Maurice André was released on August 24, 2010. Since Gallois-Montbrun : Sarabande & Finale is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Maurice André, André Jolivet, Louis de Froment, Orchestre de l'Association des Concerts Lamoureux, Radio-Luxembourg Chamber Orchestra's "Maurice André Edition - Volume 3 (2009 REMASTERED)" album is number 29 out of 104. In terms of popularity, Gallois-Montbrun : Sarabande & Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gallois-Montbrun : Sarabande & Finale by Raymond Gallois Montbrun, Maurice André to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sept péchés capitaux pour soprano et piano: I. L'Orgueil | Raymond Gallois Montbrun, Quatuor Benaïm, Aurélia Leguay, Sabine Vatin | F Major | 0 | 7B | 114 BPM | ||
Carmen Suite: I. Entr´acte | Die Hornisten der Berliner Philharmoniker | E♭ Minor | 0 | 2A | 126 BPM | ||
Fantasy Variations on a Theme by Niccolo Paganini: V. - Recording at Fumon Hall, Tokyo, 1989 | Tokyo Kosei Wind Orchestra, James Barnes | E Minor | 0 | 9A | 64 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Étude pour trompette seule No. 2 | Raymond Gallois Montbrun, Stephane Gourvat | D♭ Major | 0 | 3B | 139 BPM | ||
Violin Concerto in C Major: I. Allegro moderato: section 5 | Havergal Brian, Marat Bisengaliev, BBC Scottish Symphony Orchestra, Lionel Friend | E Major | 0 | 12B | 101 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: I. Etudes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM |
Section: 0.5572545528411865
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